Robert Clift, Ph.D. is a documentary filmmaker and media studies scholar with work appearing on national public television, in film festivals, on new media platforms and in academic publications. His most recent film, Making Montgomery Clift (2018), looks at the life and legacy of his uncle, classic Hollywood movie star and queer icon Montgomery Clift. Produced and directed with Hillary Demmon, the film has played at more than 40 national and international festivals, received a Silver Award for Best Documentary Feature from the University Film and Video Association (UFVA), and was released commercially by The Orchard/1091 Media in 2019. His first film, Stealing Home: The Case of Contemporary Cuban Baseball (PBS, 2001), produced and directed with Salomé Skvirsky, explored questions of national and cultural identity through the geopolitical strains of Cuban baseball. Set during a period of economic challenges, when an increasing number of players were ‘defecting’ Cuba to play in the United States, Stealing Home addressed the tension between the individual Cuban player seeking the benefits of playing in the U.S. Major Leagues and a Cuban government struggling to maintain baseball as a symbol of national pride and economic autonomy. His second film, Blacking Up: Hip-Hop’s Remix of Race and Identity, was funded by the Independent Television Service (ITVS), premiered on PBS in January 2010, and was named by the American Library Association (ALA) as one of the most notable nonfictional films of the year. Blacking Up grew out of and informed his written research on the performance and representation of authenticity in documentary film and video. His writing on Sacha Baron Cohen’s theatrical feature Borat (2006) was published by Routledge as part of the anthology Cine-Ethics: Ethical Dimensions of Film Theory, Practice and Spectatorship (2013). Clift’s third film, Road Comics: Big Work on Small Stages, directed with filmmaker Hillary Demmon and produced by Susan Seizer, a cultural anthropologist at Indiana University, focuses on the unique insights and stand-up routines of three comedians who travel the comedy circuit in the “flyover zones” of Middle America. Road Comics has played at more than a dozen festivals and conferences, including the Cincinnati Film Festival, the Friars Club Comedy Film Festival, the Central States Anthropological Society Annual Meeting, and the Landlocked Film Festival.
- Associate Professor
Schulman, Michael. “Making Montgomery Clift Is a Fascinating Study of the Ethics of Biography,” The New Yorker, Jan. 23, 2020
Bordwell, David. “Wisconsin Film Festival: Not docudramas, but docus as dramas,” Observations on film art, April 13, 2019
Burns, Chase. “Finally, Someone Gets Montgomery Clift’s Biography Right,” The Stranger, Oct. 11, 2018
Linden, Sheri. “Making Montgomery Clift: Film Review - LAFF 2018,” The Hollywood Reporter, Sept. 24, 2018